The new KCM 125 colour TV camera is a broadcast quality camera delivering pictures of highest available standard for studio and OB van application.

• Anmerkung : Wenn Sie nachlesen, wie diese KCM125 nach über 2 Jahren angeordneter Zwangs-Pause dann doch produziert wurde, stehen Ihnen die Haare zu Berge. Diese Kamera war zu ihrer Zeit ein herausragendes Beispiel deutscher Ingenieurstechnik.
  

Superior parameters in resolution, sensitivity and SNR, picture geometry and registration as well as unequalled colour reproduction are the outstanding results.

This KCM 125 camera system is part of a new camera family which will include handheld cameras with 18 mm pickup tubes.

• 25 mm state-of-the-art pickup tubes with lead oxide target employing LOC and Diode Gun for superior picture quality
• Automatic and dynamic lens error correction (LEC). The LEC-System reduces substantially the influence of lens-errors on registration
• Zoom lenses with integrated test projector in the lens, including a proprietary test slide, are available from all major lens manufactures
• The KCM 125 employs a distributed-intelligence-concept with microcomputers in camera head, CCU and control panel. This panel can be connected by a bus system with an infinite number of cameras in a pool
• Multiwire and triax/coax camera cable up to 800 respec. 2000 m can be used. Existing camera cables of the model KA 64 can be used for the KCM 125 as they have been used for KCU and KCK
• New Contour Correction Circuits out of RGB
• Automatic Knee Function
• Switchable matrix (Masking) remote controlled
• Component outputs according to new SMPTE/EBU-Standard
Rear of the KCM 125 showing automatic set-up controls.
• Encoder with new Blackstrech-Circuit, Automatic Notch Filter, Colour saturation change effective on Component and Composite Levels
• Very compact and lightweight design of the camera-head
• B/W viewfinder with pan and tilt angles of +/- 100 and +/- 50 degrees respectively
• An optional colour-viewfinder will be available too
The KCM 125 is the beginning of a new camera generation -from BTS
The portable companion camera is the new KCM 318. (see page 20)
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Well established (also schon ein paar Jahre alt) top-line studio and outside broadcast camera channel with total computer control and full automatic set-up of all functions. Consists of camera with built-in-triax system for connection with up to 2.000 meters of cable to the Camera Processing Unit, operational and engineering remotes.
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• Anmerkung : Das war das eigentliche Highlight der LDK6, das neue Triax Kabel von dem Holländer (Dipl.-Ing. Rud Koppe), der übrigens bei uns in Wiesbaden zu Besuch war und uns eines von ehemals 20 gefertigten 4,5" Super-Orticons übergeben hatte. Die LDK6 fristete auch bei uns in Deutschland nur ein Schattendasein und konnte der KCM125 das Wasser nicht reichen.

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• 25 mm or 30 mm Plumbicon tubes with ACT or Dynamic Beam Control
• Auto set-up computer in each channel allows simultaneous set-up of all cameras
• System units interchange without need for readjustment
• Optimised automatic set-up of scanning, registration, dynamicfocus, beam setting and alignment, and shading, using 49 zone digital correction
• Integral diascope test projector in the camera head enabling use of standard lenses with range extenders
• 6 set-up memories, 6 operational memories, 4 lens memories, and dynamic lens error correction
• Outputs: RGB, green reference, 2 WFM, 2 PXM and 3 Composite outputs atthe CPU and ateleprompter output at the camera head
• Inputs: Genlock (Composite or colour black), 2 (Non)-Composite inputs, teleprompter and green reference VB
• Two programme microphone inputs at the camera head
• Very extensive communication system including separate floor manager circuit
• Viewfinder with high brightness, high resolution 7 inch tube. +/- 90° pan, +/- 60° tilt
• Viewfinder cross hairs option fully adjustable
• Character display of zoom range and selected signal on the viewfinder
• Utility AC power output at camera head
• Wide range of control panel options
• Printer interface (RS 232 C) option
• COACH option - centralised remote control and maintenance system (see page 19)
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Mid range studio and outside broadcast camera channel with total computer control and full automatic set-up of all functions. Consists of camera with built-in triax system for connection with up to 2.000 metres of cable to the Camera Processing Unit, plus operational and engineering remotes. Employs common elements of LDK 6A system.
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• 18 mm Plumbicon tubes with Dynamic Beam Control
• Auto set-up computer in each channel allows simultaneous set-up of all cameras
• System units interchange without need for readjustment
• Optimised automatic set-up of scanning, registration, dynamicfocus, beam setting and alignment, and shading, using 49 zone digital correction
• 2 Set-up memories, 6 operational memories, and 2 lens memories
• Outputs: RGB, green reference, 2 WFM, 2 PXM and 3 Composite outputs at the CPU and optional teleprompter output at the camera head
• Inputs: Genlock (Composite or colour black), 2 (Non)-Composite inputs (one for optional teleprompter) and one green reference VB
• One programme microphone input at the camera head
• Very extensive communication system including separate floor manager circuit
• Viewfinder with high brightness, high resolution 5 inch tube. +/- 90° pan, +/- 45° tilt
• Character display of zoom range
• Utility AC power output at camera head
• Wide range of control panel options
• Printer interface (RS 232 C) option
• COACH option - centralised remote control and maintenance system (see page 19)
• Optional 7 inch viewfinder (LDK 6A type)
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Multirole lightweight portable camera head suitable for a wide range of use including ENG, EFR Studio, and as a fully plug and control compatible portable companion forthe LDK 6A and LDK 26A cameras.

In this latter mode the LDK 54A has many of the features of the LDK 6 family including auto set-up programs and extensive diagnostics.
Camera System
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• 18 mm high stability (HS) Plumbicon tubes with dynamic beam control
• Range of viewfinders; 1.5 inch, 3 inch and 5 inch
• Integral test projector in the camera head
• Wide band RGB outputs and Composite outputs
• Genlock input
• Communications system
• One programme microphone channel
Portable Companion
• Full plug and control compatibility with LDK 6A and LDK26A
• Automatic programme for centering registration, white balance, black balance, iris control including spot measurement and a " Daily check" programme
• Diagnostic programmes 1 and 2 similar to LDK 6A and LDK26A
• Uses same Camera Processing Unit and control panel options as LDK 6A and LDK 26A
• Instant changeover to ENG operation with EBU-SMPTE VTR connection
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COACH is an intelligent personal computer interface for centralised maintenance and monitoring of LDK 6 family cameras. It enables the efficient and cost effective use of high grade engineering staff.
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• Remote control and monitoring of large number of camera systems
• Flexible retrieval, storage, control, and comparison of camera data
• In-depth diagnostic monitoring and preventive maintenance by signalling future problem areas
• Remote access via standard modems over telephone lines
• Interface to any IBM compatible PC
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Light weight automatic camera head. Fully portable companion for the KCM 125 (see page 12) in triax or multiwire cable versions.

Automatic set-up and operating controlled from a microcomputer, using the same control units, CCU, cable and plugs of the KCM family.
The camera head is divided in two parts. The leading part-with the three 273"(18mm) "LOC Diode Gun" tubes and the deflection and amplification electronic. The rear part-with multicore or triax transmission electronic. With a ENG add-on part the camera is a selfcontained, automatic, microcomputer controlled ENG camera.

• Anmerkung : Im Gegensatz zur der gezeigten KCM125 war diese KCM 318 ein Flop in sehr geringer Stückzahl. Die "Triax"- Variante ist mir nie begegnet.

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• Light weight portable companion or self contained ENG, automatic camera
• Microcomputer controlled with superior sensitivity and signal-to-noise ratio
• Automatic Triax and Multicore cable equalization
• Automatic Knee Function
• Real analoge SMPTE/EBU Component-outputs
• Wide band RGB Chroma Key signal before Gamma
• EEP operation with large viewfinder and with large lenses
• Automatic H-contour out of RGB with unsymmetrical black/white edges depending on the luminance level of the signal
• Coder with automatic notchfilter, Blackstretch and Colour Saturation changes in the Composite and in the Component Levels
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Outside broadcast durability was a key factor in the development of the KCP 60. The robust %" optical system practically eliminates microphony and provides all important size and weight savings. The system layout was also designed with compact outside broadcast vehicles in mind.

Anmerkung : Diese KCP 60 war auch nicht weit verbreitet. Bezüglich Funktionen und Qualität ist sie für aussenstehende Betrachter nur schwer einzuordnen.

• Three 2/3" Plumbicon tubes, RGB System
• Automatic beam optimisation (ABO) - suppresses smearing and comet tail effects
• High transmission prism beam splitter
• Remote controllable 6 position filter wheel (5 filter position + lens cap)
• Studio/daylight switch (3000/7000 K)
• Bias light for low light shots
• Excellent signal to noise ratio
• Optimum sensitivity
• Linear matrix
• H and V contour correction with 2 delay lines, comb filter and coring
• Flare compensation
• Video gain selector (- 6, 0, + 6, + 9 dB)
• Auto black balance and white balance
• Auto or manual iris
• Full tally and intercom facilities
• Tough, lightweight head construction
• Compact modular signal processing unit
• Quick change lens mount
• Adjustable viewfinder with focal length display
• Easy service access
• Standard camera cable KA 64 - up to 500 m/1650 ft.
• Remote control of operational functions
• All TV standards
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The LDK 90 is the new production camera with state-of-the-art CCD-FT (frame transfer) technology that reaches new heights in performance, reliability and economy.

At the heart of the LDK 90 are 3 specially developed high resolution Philips Frame Transfer-CCDs that give a superior picture quality. Solide state technology ensures long life with no picture deterioration.

Anmerkung : Das ist erst mal nur die Ankündigung einer neuen Technik in Form der mobilen LDK90. NEC hatte bereits in 1983 eine 3 Chip CCD-Kamera (2 x grün und einmal rot/blau) vorgestellt, die jedoch noch in den Anfängen dieser Technik steckte. Da war Philips schon weiter und die echte große LDK 9 war dann eine wirkliche Superkamera, die allen älteren Röhrenkameras weit voraus war.
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• ENG/EFP versions
• RGB or Component plus Composite outputs
• High resolution Frame Transfer CCDs
• No lag, no burn-in, no ageing
• No smear, no comet tails, no blooming
• Accurate permanent registration
• Perfect geometry
• High sensitivity - f 1.4 optical block
• High signal to noise ratio
• Microprocessor control
• Operational memory menu system
• Viewfinder x, y, z adjustable
• Very low power consumption
• Extremely light compact housing
• Low cost of ownership-no tubes
• Maintenance free
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Camera System - (see page 18)
Multirole Version

• Range of quick-fit adaptors for ENG, EFR studio and on-cameraVTR use
• Full range of automatics including white balance, black balance, auto centring registration and auto iris
• Comprehensive range of remote control options using triax up to 1500 metres
• Power supply options include battery packs and AC power supplies and battery chargers for use in any situation

Multicore Version
• 19-pole cable up to 300 m length
• Instant ENG use when cable is removed
• Wide band RGB, monitoring and composite outputs
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The KCA 110 is a broadcast colour camera for shoulder or tripod operation.

By exchanging the add-on units which plug into the back of the basic camera, the KCA 110 can be adapted to operate in the EFP mode or can be remote controlled from a base station via MULTIWIRE or OPTICAL FIBRE cable. The use of optical fibre cable results in a weight saving of aprox. 30:1 when compared to conventional methods.

• Anmerkung : Diese Kamera war schon ein paar Jahre alt und inzwischen - im Vergleich mit den Japanern - viel zu groß und viel zu schwer und nahezu unverkäuflich.

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• %" LOC diode gun Plumbicon tubes
• Automatic beam control (ABC)
• High transmission prism splitter
• Four position filter wheel plus separate lens cap
• Bias light for low light levels
• High sensitivity
• H and V contour correction with 2 delay lines, comb filter and level dependent coring
• Shading correction for add. and multipl. shading and edge correction
• Video amplification switch 0, + 9, + 18 dB
• Normal/low/high contrast switch
• Black stretch
• Automatic white balance, black balance, iris
• Auto centring (option)
• Full tally and 4 wire intercom
• Genlock
• 1.5" viewfinder with alpha numeric indications
• Optional 6" studio/field viewfinder
• Full VTR control: Start, Stop, Forward, Rewind, Record, Play
• 12 Volt power supply
• OPTICAL FIBRE, MULTIWIRE or EFP operation
• All TV standards

The compact three-tube colour television camera is suitable for portable (EFP/ENG) and stationary studio use. Its adaptable design makes it ideal for television productions in the studio and on location, in medicine, training, industry and advertising.

• Interchangeable linear matrix for various types of tubes
• Choice between a 1.5" b/w viewfinder or a 5" b/w studio viewfinder monitor, depending on the use to which the camera is put
• Possibility of remote control of the main camera function
• Return video displays in the viewfinder monitor
• High quality prism splitter with an aperture ratio of 1:1.4 to enable the use of the widest aperture lenses
• Switchable video gain (+ 6 dB / + 12 dB)
• ABC (Automatic Beam Control) to reduce streaking and blooming effects
• Dynamic focusing in the H and V planes for optimum definition uniformity over the entire picture area
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The KCF1 is an ENG/EFP camera with an excellent weight/performance ratio. The KCF1 can be connected via a special Betacam Recorder to the Recorder Camera KCB1. The integrated Genlock SPG also allows the camera to be used on a tripod (as a caption or presenter camera) in the studio or on outside broadcast work.

• Anmerkung : Diese KCB1 Kamera war eigentlich für den in Darmstadt entwickelten erstaunlich kleinen Lineplex Recorder gedacht, der aber nie richtig funktionierte. Jetzt wollte man noch einen Versuch mit einem deutlich größeren betacam Recorder (vermutlich von SONY) versuchen, der aber auch gescheitert war. Die Kamera war von der Mechnik zu labil geworden.

• Bias light to reduce lag
• High Contrast switch. Dark areas of the picture are enhanced (Black Stretch)
• + 6 dB, + 12 dB gain switches
• Dynamic knee function
• Automatic beam current control (ABC)
• Iris spot measurement with a 1 % window
• Iris control by means of peak or mean value, whereby, when the mean value is used, the upper third of the picture is afforded less priority
• The 3-tube system uses W Plumbicon pick-up tubes
• The W Plumbicon tubes and the camera circuitry provide excellent black level stability making it no longer necessary to carry out black balance
• High resolution, not only in the picture centre. Uniformity is better than with %" tubes
• Picture sharpness is increased by a new type of aperture correction
• The KCF 1 is a portable camera with the quality characteristics of a studio camera
• Beam deflection in the pick-up tubes is very stable
• Standards switchable between 625/525 lines
• Multicore remote control up to 50 m
• Multicore base station up to 600 m
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Three tube, prism optics, portable colour camera for ENG or EFP use in a wide range of video production situations. Has many advanced features including microprocessor controlled automatics, and viewfinder graphics for status and guidance displays.

• Microprocessor controlled automatics including auto white, auto black and auto centering
• Automatic iris with non-additive mix and centre weighting
• Status and guidance display in viewfinder and choice of 1.5 inch or 5 inch display tube
• %inch MF Saticon tubes combined with f 1.4 prism optics for high sensitivity and resolution
• Remote control option of all major functions over a distance of 100 metres from the camera
• AC or DC power supply options with quick-fit adaptors
• Camera microphone input and mounting clamp
• Compact lightweight diecast camera body, rain proof and RFI shielded.
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The KCB 590 is the newest recorder camera from BTS. Its a combination of the LDK 90 Frame Transfer-CCD camera with the new Betacam SP recorder BCB 5.
Camera System
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• Three chip CCD camera
• 610 (NTSC)/604 (PAL) pixels in horizontal direction
• Low profile camera body
• No smear due to Frame Transfer principle
• Viewfinder playback

Further details for camera see LDK 90, page 22
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The new, quality-enhanced BCB 5 Betacam SP recorder for metal particle tapes gives wider bandwith coverage, superior signal component recording, improved signal-to-noise ratio and better-than-ever picture quality for playback/editing.
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• Betacam SP recordings are compatible with the well-known Betacam format.
• Video and audio off-tape monitoring
• Immediate playback of recorded events in the viewfinder
• Lightweight and compact
• Four audio channels. Two FM audio channels are added to the normal two longitudinal ones.
• 48 V phantom supply for audio Ch 1.
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• Anmerkung : Der anzudockende Recorder kam komplett aus Japan (vermutlich SONY)

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The KCB1 is a portable recorder camera with quality characteristics of a studio camera. The KCB1 is a combination between the KCF1 (see page 25) and a special lightweight BCB1 Betacam Recorder. The KCB1 is a very light and compact recorder camera. Therefore the KCB1 is suitable for ENG and EFP applications.

Camera System
• 3-Tube System with W Piumbicon diode gun pickup tubes
• New generation of V2" Piumbicon tubes. No longer necessary to carry out black balance
• Sensitivity is equal to that of cameras with W pickup tubes
• Bias light to reduce lag
• High Contrast switch. Dark areas of the picture are lightened (Black stretch)
• + 6 dB, + 12 dB gain switches
• Iris control by means of peak or mean value
• Iris spot measurement using 1 % window
• Automatic Beam Current Control (ABC)
• Compression of highlights (dynamic knee function)
• Picture sharpness is increased by a new type of aperture correction
Further details see page 25, KCF 1

Recorder System BCB1
• Low Power Consumption of only 10 W
• Max. record time is 36 min. (PAL) with BBT30 videocas-sette
• Rec-Run/Free-Run Select. The Time Code can be operated in either the Rec-Run or Free-Run modes. Six push buttons are provided for time adjustment
• Automatic Back-Space Editing gives sequential recording without picture break-up at transition points
• Built-in Time Code Generator (SMPTE/EBU). The Time Code is automatically recorded on a separate time code track
• Warning Indicators, for servo system, condensation on the head drum, tape slack, tape end, battery voltage, and RF failure
• 2-channel audio with 3-position selector switches are provided to route the appropriate audio source to the two audio channels. This source may be the camera microphone, an external microphone, or an audio line input
• Built-in monitor loudspeaker. An earphone may be connected to the recorder
• Optional wireless microphone
• Audio level can be controlled either automatically or manually
• For multiple recorder camera operation the recorder provides time code IN and OUTfacilities
• 2 Audio channels are Dolby C equipped
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LDK54A camera/recorder system sets new standards for both location and post-production editing. The camera head provides broadcast quality pictures created by the latest 2/3" (18mm) HS Plumbicon tubes and is used for recording in conjunction with the 'Betacam' on-camera recorder system.

Camera System
(see page 18)
Recorder System
(see page 31)
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The BCB75 is a new-design yet fully compatible VTR for recording, playback and editing in television studios. It introduces a new standard of picture quality, adopting the new and improved Betacam SP format. Audio quality, too, is substantially upgraded. Four audio channels are employed, two FM channels and two conventional longitudinal ones.
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• Betacam SP Format Recorder/Player
• Dynamic tracking playback from - 1 to + 2 times normal play
• High speed picture search +/- 24 times normal
• 4 Audio channels
• Various cassette sizes from 5 min. to 90 min. usable
• Built-in indicator for sync to subcarrier phase
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The BCB35 is a new-design yet fully compatible portable VTR for recording and playback in field conditions. It introduces a new standard of picture quality, adopting the new and improved Betacam SP format. Audio quality, too, is substantially upgraded. Four audio channels are employed, two FM channels and two conventional longitudinal ones.
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• Betacam SP Format Recorder/Player
• RS 422 interface for field editing
• Frame accurate back space editing
• 4 Audio channels with individual meters
• 48 V phantom supply for audio CH 1
• Built-in RF modulator
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The BBE 900 is an easy-to-use post production editing system. A combination of up to 4 Betacam Series VTRs (BCB 75 / BCB 40 / BCB 10 / BCB 15) can be controlled creatively and precisely.
• Up to four VTRs can be controlled in an A/B Roll edit.Any unused VTR can also be selected and controlled while an automatic event involving the other VTRs is taking place
• Switcher or video/audio mixers can be controlled from the system
• 2 Auxiliary sources can be assigned to access, for instance, a live camera, black, or colour bars
• Multiple Source Selection for simultaneous control
• Time Code and Control Track pulses can be read in any combination, and selected independently for each machine
• Battery Backup, Protects EDL (Edit Decision List) in case of power failure
• NTSC or PAL Colour Framing. Edits by either the VTR's detector or an optional plug-in colour framing detector
• Full Synchronisation Accuracy Selection. Synchronisation using various time code grades, or no time code at all, can be accomplished by using the six accuracy grades provided. These grades are: absolute time code synchronisation, + or - 1 frame tolerance, rough sync, preroll and play, play only, or manual start.
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The BCB 40 is a studio recorder/player with built-in editing facilities. In connection with a BCB 10/15 studio player you can produce an edited tape with minimal signal impairment from camera recorded tapes.
• Built-in Editing. Insert, Assemble for Video, Audio 1/2 and Time Code, Auto Preview/Review
• Max. Playback/recording time 36 min. (PAL) with BBT 30 videocassette
• High Speed Picture Search. Using the search dial incorporated in the BCB 40, shuttle speed can be varied at 1A), 1/io, 1/5,1, 2, 5, or 10 times normal tape speed in either direction
• Built-in Time Code Generator/reader (SMPTE/EBU). IndependantTime Code track. Reinsertion of Time code is possible
• RS-422 serial interface (9-pin) for BBE 900 editing system
• 36-pin parallel interface for simple remote control applications
• DUB/Component Inputs/Outputs for superior picture quality produced by the Betacam recording system
• 2-channel audio with Dolby C-type noise reduction system
• Built-in Time Base Corrector. Standard broadcast video output can be obtained directly from the BCB 40
• U-matic H dub-input
• 19-inch rack mountable
• Front loading
• Hinged/detachable front panel
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The BCB 10 Betacam playback VTR is for studio operation. A combination of the BCB 10 Player and the BCB 40 Editing Recorder/Player offers a component signal editing facility which can produce an edited tape with minimal signal impairment from camera recorded tapes.
• High Speed Picture Search. Using the search dial incorporated in the BCB 10, shuttle speed can be varied at 1/3o, 1/io, 1/5, 1, 2, 5, or 10 times normal tape speed in either direction
• Built-in Time Code Reader (SMPTE/EBU)
• Built-in Time Base Corrector Standard broadcast video output can be obtained directly from the BCB 10
• Further details see BCB 40, page 36
BCB 15 Betacam Studio Player with Dynamic Tracking (DT)
The BCB 15 Betacam DT Player, provides Dynamic Tracking facilities and simple system interface with the BCB 10/40 and the BBE 900 editing control unit. It has all the features present in the BCB 10 Player including built-in time base corrector, no external TBC being required for Dynamic Tracking playback.
• Dynamic Tracking (DT) mode, playback is possible at any speed within the range from - 1 to + 2 times normal. Broadcast quality pictures are obtained over this full DT range
• High-Speed Picture Search. Using the search dial incorporated in the BCB 15, shuttle speed can be varied at 1/3o, 1/io, 1/5, 1, 2, 5, or 10 times normal tape speed in either direction
• Built-in Time Base Corrector. Standard broadcast video output can be obtained directly from the BCB 15
• Further details see BCB 10, above
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The BCB 21 Betacam Field Player provides the user with the portable viewing capability. Due to its compactness and versatile power supplies, the player is perfectly suited to be used in the office, the field, or wherever cost efficiency is demanded.
• Camera recorded tapes or BCB 40 edited tapes can be played back by the BCB 21
• Compact and lightweight. The BCB 21 weighs only 7.6 kg (including battery and cassette)
• Low Power Consumption and versatile power sources
• Optional Plug-in RFModulatorforprogram viewing on an ordinary consumer television set
• Optional Time Code Reader
• Composite Video Output
• 2-channel audio with Dolby C-type noise reduction system
• Search Mode facilities. A monochrome picture is available at approx. + / - 3.5 times normal speed
• Warning indications. Condensation, tape slack, and battery indication are included
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The BCB 25 Portable Betacam Recorder/Player has been designed for field application and responds to a strong market demand for recording and immediate playback facilities in one unit operating.
• Recorded pictures can be played back immediately
• Compact and lightweight. The BCB 25 weighs only 8.4 kg (including battery and cassette)
• Low Power Consumption and versatile power sources
• External TBC Connection
• Built-in Time Code Generator/Reader
• Composite and Component Input/Output
• 2-channel audio with Dolby C-type noise reduction system. The Ch-2 has audio dub facility
• Search Mode facilities.A monochrome picture is available at approx. +/- 3.5 times normal speed
• Warning indications, Condensation, tape slack, servo, tape end, battery indication, and RF alarm are included
• Back Space Editing gives continuous recording without picture break up at the transition point
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