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BTS Broadcast Television Systems is a joint company of Philips and Bosch.

BTS products are distributed throughout the world in more than 120 countries.

Development and production facilities are located in Darmstadt in the Federal Republic of Germany, in Breda in the Netherlands, and in Salt Lake City in the USA. In addition, a network of sales and service agencies has been established to assist and advise our customers throughout the world.

The BTS product range covers everything from supplying single monitors to equipping complete studios, to providing equipment for live television coverage of international events and major broadcasts.

BTS has many years of experience in the management of turnkey projects and - for more than five decades - in the construction of outside broadcast vehicles.

BTS offers a wide spectrum of products which are used in the professional, semi-professional and industrial fields. Included in this list of products are cameras, video tape recorders, telecines, monitors, production switchers, master control switchers, routing switchers, studio automation systems, computer graphics, and multi-signal processing and distributing systems.

Besides designing and manufacturing of products for the traditional TV standards of PAL, NTSC and SEC AM, the engineering efforts have been committed to the development of products for the digital 4:2:2 standard as well as the future high definition television (HDTV).
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The LDK 9 is a top-of-the-line frame transfer studio camera with outstanding performance. It has the most extensive and professional control system, the Series 9000.

Wich new, very high-sensitivity frame transfer sensors, in combination with the ultimate in electronic processing, the LDK 9 sets a standard of performance unsurpassed in the broadcast market. Suitable for studio or mobile outside broadcast use the LDK 9 can be used in the most sophisticated and prestigious programs and, for the cameraman, a very wide range of features have been incorporated.

These include extensive communications with connection to engineering and production as well as floor manager, dolly and boom operator. There are also two high-qualitv camera audio channels for commentator, news reader or effects. These two channels can be phantom powered from a built-in supply.

The 7-inch precision viewfinder (der kommt übrigens wirklich noch aus Darmstadt) and optional color viewfinder (auch aus Darmstadt) are equipped with indicators for safe area and zoom position as well as two-level on-air indication. There is also an eight-position filter wheel cassette which can be changed in seconds if more effects filters are required.

The Series 9000 universal camera control system brings to the user a very comprehensive range of controls and options. The menu-driven master control panel for up to eight cameras provides user related menus for operation, engineering and maintenance. And with scene file memories that can store every camera parameter, together with credit card size memory cards for archival storage, day one matching performance is guaranteed over the period of any production. There is also an operational control panel with extensive features as well as optional mono and color control panels.

Even most standard user analogue control panels can be interfaced to the system via remote control interface, interconnection between the base station, master control panel and operational control panel is with a simple two wire data cable which can be up to 350 meters, 1150 feet in length. Designed for the nineteen nineties, the LDK 9 is the ultimate production tool for broadcast television use.
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Studio quality camera system
New, very high-sensitivity frame transfer sensors
Resolution exceeds 700 TV-lines and no smear
Compensated dynamic white shading
Integrated background automatics; black, white, shading
Adaptive notch filter with ringing-free pulse response
Economic triax cable up to 2.400 meters, 7875 feet
Self-aligning optical interface to camera
Full feature 7-inch viewfinder
Series 9000 universal camera remote control system
Menus for operating, engineering, and maintenance
Self-test diagnostic system
Optional two-way private data channel over triax e.g. RS 232 signals
Comprehensive two or four-wire communications
Eight-position filter wheel cassette
Remote control interface for standard analog controls
Performance compatible with LDK 91 portable camera

The BTS Series 9000 control system is the most comprehensive and flexible camera remote control system in the world today. Developed for the LDK 9 studio camera, the Series 9000 can be applied to any BTS camera in triax mode, providing extensive and professional remote controlled operation.

The complete system comprises a Master Control Panel (MCP) with a clear, sharp electroluminescent display, an Operational Control Panel (OCP), a Monoknob Control Panel and a Color Control Panel. There is also a Base Station, or Camera Processing Unit depending on the type of camera used.

The camera Base Station can be provided with a serial digital video interface module whose output is the 4:2:2 component standard with 270 Mb/s, 10 bits. Between the MCP, OCP and Base Station, an elegant two-wire data system connects these units together up to a maximum of 350 meters - 1150 feet.

The MCP provides a complete overview of all camera remotes and allows adjustments to be made. There are up to 3 menus for the different operating functions found in television use. These are Operate, Set-up and Maintenance each with submenus enabling control and adjustment of camera functions. A fourth menu provides diagnostic information.

The assignable OCP provides control of all operational camera functions. Two version of the OCP are available. Monoknob control or alternatively rotary controls. A full description of the Series 9000 system can be found in our brochure.

To allow the use of separate analogue color conrol and mono knob control, a Remote Control Interface (RCI) is available. This rack mounting unit interfaces between the 2-wire data system and the multiwire connection to these units and allows the use of most custom made types of color and mono controls. An alternative version of the RCI communicates in RS-232/422 protocol with baud rates from 2400 to 9600. This version is intended for robotics etc.

All Series 9000 units can be used with the complete range of standard cameras in triax configuration as well as with (immer noch analoges) HDTV.
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Precision triax base station with optional 4:2:2 serial digital component output - 270 Mb/s, 10 bits
Master control panel (MCP), with hight brightness, EL, menu display Up to eight cameras per MCP Dedicated menus for Operate, Engeneering, Maintenance and Diagnostics
All camera functions controllable from the MCP
Full function operational control panel with joystick or alternatively rotary controls
Remote Control Interface for standard analogue controls
Alternative version with serial digital output for robotics (2400-9600 bauds)
Personal scene file memory cards for complete system
Delegation of operational, mono and color controls
Two-wire data control system up to 350 meters, 1150 feet
Self-test diagnostic system
Private two-way data channel option - base station to camera
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The LDK 910 with new, very high sensitivity frame transfer sensors, is a top quality production camera for studio or mobile outside broadcast applications. Designed on the basis of the successful LDK 900 (wo bleibt die Referenz auf die LDK 9 ??) camera, the LDK 910 is outwardly very similar with it's all round carrying handles.

Important improvements are to be found in the new sensor and processing circuits providing resolution exceeding 700 TV lines and clean filmlike picture performance. This latter is achieved by advanced signal processing circuits with a greatly improved transient response. The new sensor has been developed as a direct result of unrivalled and unique technology gained from many years of research and design in the laboratories of Philips in Eindhoven.

The LDK 910 is equipped with a high-brightness, high resolution 7-inch viewfinder with many operational features including a character display to keep the cameraman well informed and an electronic safe area. Comprehensive communications including outputs to a floor manager and boom operator, and a camera microphone input for commentator or effects.

For stand-alone operation the LDK 910 can be used with a local power supply and local VTR. In this mode an optional local control panel is available to provide a simple and economic 6 means of controlling the camera. With triax camera cable up to 2400 meters, 7875 feet, the LDK 910 can cover very remote operational needs and with the addition of the LDK 91 performance compatible portable companion, it can be used in all broadcast applications.
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Studio or mobile production camera
Very high sensitivity frame transfer sensors
Resolution exceeds 700 TV lines Optimum processing - film-like performance.
Up to 2400 meters, 7875 feet triax cable
Full professional remote controls Optional Series 9000 control system
Precision 7-inch viewfinder Diagnostic and status display in viewfinder
Extensive two or four-wire communications
Performance compatible with LDK 91 portable ENG/EFP Cameras
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The LDK 91 broadcast portable camera is the third generation of Frame Transfer CCD sensor cameras. Developed from the exceedingly successful LDK 90, the world's fastest selling frame transfer CCD camera, the LDK 91 has all the advanced features of the LDK 90 and uses the same wide range of accessories including the large lens adapter.

The CCD sensor has been developed as a direct result of the unrivalled advanced technology gained from many years of research and design.

The sensor has over 800 pixels per line which provides over 700 TV lines of resolution, exceeding the requirements of current TV system standards. Other improvements include extra sensitivity and a better signal-to-noise performance both of which contribute to improved camera performance.

Together with advanced signal processing circuits allowing for greatly improved transient response (clean pictures) and variable contours from red as well as green, the LDK 91 sets a new standard of performance for portable CCD cameras.

Frame Transfer sensors with very high sensitivity
No smear
Over 800 pixels per line
Highest resolution, more than 700 TV lines
Increased signal-to-noise performance
Electronic exposure control Variable contours from red and green
Professional adjustable shoulder mount
Operational status text display in viewfinder
Diagnostics
Fully compatible with LDK 90 systems and accessories
Compatible portable companion for LDK 910 and LDK 9
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Having the same Frame Transfer CCD sensor/optical combination respectively as the LDK 910 and LDK 9, the LDK 91 is a perfect portable companion in the triax mode matching perfectly in colorimetry and broadcast performance.

Alternative camera control options are available and all BTS CCD cameras can be used with the Series 9000 universal camera control system in triax mode.
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All the outstanding features of the LDK 91
Frame Transfer CCD portable camera
Remote operation over a maximum of 2000 meters (6560 feet) of economic triax cable
Full facility Operational Control Panel with professional controls (monoknob etc.)
LDK 91 performance compatible companion for LDK 910 and LDK 9
Perfect color matching and performance
Can be re-configured in seconds for stand-alone portable operation
Interchange of system parts and lenses
Optional Series 9000 universal camera control system
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The LDK 391 is a top performance camcorder, with all the benefits of new generation Frame Transfer CCDs. These high pixel density sensors, with over 700 TV lines of resolution, bring to the camcorder user for the first time the highest broadcast performance.

The LDK 391 is based on the world's most successful camera, the LDK 91 and in combination with the Betacam SP half inch recorder, is an exceptional and flexible one-piece package for ENG or EFP productions.

With a wide range of features, including battery options for up to 150 minutes of continuous use, precision 1.5 inch viewfinder with operation and diagnostic messages, built-in timecode generator/reader, electronic shutter and eight white balance memories, the LDK 391 provides the user with an operationally friendly production tool well suited to camcorder action in any broadcast environment.
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Very high sensitivity generation Frame Transfer CCD Sensors
700 TV lines resolution
No smear
Lowest aliasing
Highest signal to noise
Eight white balance memories
Precision 1.5 inch viewfinder
VTR playback in viewfinder
Electronic shutter for fast action recording
On camera microphone
Betacam SP recorder for broadcast performance
Diagnostics in camera and recorder
Built-in loudspeaker monitoring
Wide range of battery options up to 150 minutes
Timecode generator/reader with LCD readout
Color field playback unit option (video and RF)
Matching colorimetry with all BTS cameras
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The KCB 591 is a camera recorder system for Betacam SP videocassettes. It is a combination of the LDK 91 Frame Transfer CCD camera with the Betacam SP recorder BCB 5 (page 14).

Camera System
Three chip CCD camera
Low profile camera body
No smear due to Frame Transfer
principle
Viewfinder playback Further details see LDK 91, page 6.
Recorder System
see BCB 5, page 14.
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see chapter HDTV, page 46.
( Das mit dem "Multi-Standard HDTV" ist natürlich Unsinn, denn die Kamera kann aussschließlich analoges 1250 HDTV ausgeben, alles andere muß mit Normenwandlern umgewandelt werden. )
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Cameras of types Betacam SP 2000 Professional and Professional S see chapter Professional Video, page 49
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The KP 8(C) MU camera monitoring switcher enables efficient camera control of up to 8 cameras. It contains routers and control circuitry to provide signals for waveform- and picture monitors in the operating control and line-up control area.
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Suitable for LDK 90/91/900/910/ 9-cameras using CCUs type LDK 4053/4054
Control of other camera types is possible, but requires interfacing
CCVS or analog component versions available
Controlled by camera OCPs and MCPs
Dedicated control panels available to meet individual needs
Interfaces with the staircase generator KP 3/4 TN 7142 A to provide scope control
Sequential or superposed display 3- or 4-channel display
Simultaneous waveform display of 4 preselectable cameras
Split-screen option for precise color matching at the operating control area
Line-up control option

Operating control areas can be implemented with any camera type.

They contain:
OCPs (operating control panels)
Monitoring unit KP 8 (C) MU
Split-screen option for color matching incl. control panel
Waveform monitor with staircase generator
Picture monitor(s)

Camera line-up areas can be installed for cameras using CCUs of type 4053 ("Series 9000" controls).

They contain:
MCP (master control panel)
Line-up option in the monitoring unit
Waveform monitor with staircase generator
Picture monitor(s)
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Bildunterschrift
LDK camera monitoring using CCUs of type LDK 4053 with OCPs and MCP
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The newest CCD telecine from BTS is the FDL 90.

The advantages of a CCD telecine are well known: reliability, excellent picture quality, no burn-in, no ageing or replacement of tubes.

The FDL 90 is a CCD telecine for 4:3 and 16:9 display formats, offering the flexibility of several film sizes and aspect ratios. It combines novel digital and analog electronics together with the proven film deck and servo of the worldwide successful FDL 60 telecine. The experience gained from the development of an experimental CCD telecine for HDTV was used for a novel sizing principle which offers full bandwidth to approximately 30 percent linear magnification. The patented sizing system works with an EDTV CCD scanner, which provides 1330 active pixels. The scanner is working with video signals of 8.6 MHz bandwith.

In contrast to digital zooming devices, which use two-dimensional filters, horizontal and vertical sizing is achieved by varying the horizontal line frequency and the CCD sensor clock frequency.

Changeover between 4:3 and 16:9 is a single "one-button" function providing an additional 16:9 flag for the VTR or the broadcast channel. The precise size and position of the selected aspect is repeatable by microcomputer control. A new preamplifier technology and a 4:4:4 store provide full bandwidth in all channels.

Other FDL 90 features include ten-bit resolution for more flexibility in color correction, as well as low cost for maintenance. The telecine is easy to operate because it has automatic correction of fixed-pattern noise, shading and white level. Integrated analog and digital 4:2:2 component interfaces permit easy installation in a modern studio environment. The FDL 90 is switchable between 625/50 and 525/60 TV standards.
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Precision color monitor
16 mm optical block, ISO 1223
AC A 35 mm optical block, academy
camera aperture
Encoder
Genlock
Winding plates
Waveform monitor
Film timer
R, G, B, Y, Pr, Pb, CCIR 601/656
output, parallel and serial
Primary color correction with
automatic control
Negative matching
Contour corrections
DSA (Direct Sprocket Addressing)
SAS (Select-A-Speed)
COMOPT 16/35 mm
Dolby stereo
COMMAG 16 mm
Black stretch, print look
Standard accessories
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Compact and lightweight, the BTS DCR 500 VTR offers everything you need to achieve D-l standard component digital tape output, even in an analog environment, all hi one easy-to-install package.

The DCR 500 is unique in its ability to fit straight into an analog studio without the need for external A/D and D/A converters, extra racks or cabling.

Compatible with a wide range of editing systems, it also allows the recording of digital 4:2:2 signals generated by graphics computers such as Quant el Harry and Harriet, and systems from D/FX and Silicon Graphics.

Additionally, the DCR 500 allows the storage, editing and transmission of 16:9 aspect ratio EDTV pictures, and provides the capability to run four machines in parallel with accuracy in record and playback - under the control of its own in-built software using a single control panel.

DCR 500 controls are organized and laid out to facilitate fast, efficient control over the whole range of post production applications. And great care has been taken to ensure that all the different types of machine user are provided with menus tailored to match their particular applications and needs precisely.

Features such as automatic tracking, automatic playback/record equalization, a control track head built in to the quick-change scanner, and on-line error rate monitoring boost post production quality and speed. While comprehensive diagnostics and design that facilitates fast, simple maintenance combine to reduce downtime and service costs.

The automatic tracking system built in to the DCR 500 provides accurate playback without the complications of dynamic tracking. It completely eliminates the need for manual adjustment of tracking during operation.

Unique to the DCR 500, the modular design of the scanner allows quick interchange, dramatically reducing downtime and enhancing productivity.

The DCR 500 is the only VTR worldwide which offers a personal card to simplify the work of individual operators. With the personal card, each operator can create and hold a menu tailored to meet his own specific needs, ready to be entered almost instantly into any DCR 500 to which he is assigned.

The DCR 500 can be controlled by both local and remote control panels, enabling control to be achieved from any item of post production equipment to which the DCR 500 is connected. Up to four DCR 500s can be linked via IMCS.
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High standard precision mechanics
All three cassette sizes can be used
Broadcast quality slow motion from -0.5 to +0.5
Visible search from —40 to +40 in color
Automatic tracking Automatic adjustment of playback equalizers
Control panel may be placed up to 180m away
Operation of up to four machines from one master control panel
Serial interfaces (ES bus, BBE 910, FRP 60) as standard
Internal two-machine editor (master control panel)
Timecode inserter for monitor output (RGB or CCVS)
Comprehensive diagnostic facilities
Quick-change scanner
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Bildunterschrift
Parallel recording of HDTV signals on four DCR 500

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The digital composite VTR D-2 standard can be easily integrated into existing analog composite studio systems. These are simultaneously the simplest step into a digital future.

Product range
DCR 2: Portable recording and
playback machine
DCR 20: Studio VTR for medium and small cassettes
DCR 28: Studio VTR for all applications

Easy system integration
D-2 format for easy integration into analog studio systems Fit for the future by additional digital interfaces for audio and video

Recording according to digital standard D-2

Digital recording and signal processing enables
- high recording quality also in audio channels
- Multi-generation capability
- Compensation of time and dropout errors
- Concealment of uncorrectable recording errors
3 different cassette sizes providing a play time of 3 Vi hours at maximum

Reliability (DCR 20/28)
- Auto edit tracking function
- TC/CTL confidence function with automatic warning
- Improved recording linearity (adaption of 10-bit A/D, D/A)
- 20-bit recording and playback system for audio signal

Flexible and easy operation
 Menu-driven operation
 Built-in powerful editing functions (studio models)
 Variable play speed and shuttle speed
 Built-in signal generator

High productivity
Little alignment effort and high reliability by the use of highly integrated digital circuits
High availability by multiple self-tests
Standardized and established format

Accessories

A complete program
Cassettes
Mounting accessories for 19" racks
Remote controls
Format converter D-l - D-2 and D-2-D-l(NTSC)
Variable play speeds ±15% (DCR 28)
Plug-in unit for serial digital transmission (DCR 28)
Bildunterschrift
Connecting Analog VTR to Digital D2-VTR
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The BCB 75/70 is a new-design yet fully compatible VTR for recording, playback and editing in television studios. It introduces a new standard of picture quality, adopting the new and improved Betacam SP format.
Audio quality, too, is substantially upgraded. Four audio channels are employed, two FM channels and two conventional longitudinal ones.
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Betacam SP Format Recorder/Player
Dynamic tracking playback from —1 to +2 times normal play (BCB 75 only)
High speed picture search +/— 24 times normal
4 audio channels
Various cassette sizes from 5 min. to 90 min. usable
Built-in indicator for sync to sub-carrier phase
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The BCB 65/60 is a new-design yet fully compatible VTR for playback in television studios. It indroduces a new standard of picture quality, adopting the new and improved Betacam SP format.
Audio quality, too, is substantially upgraded. Four audio channels are employed, two FM channels and two conventional longitudinal ones.
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Betacam SP Format Player
Dynamic tracking playback from —1 to +2 times normal play (BCB 65 only)
High speed picture search +/— 24 times normal
4 Audio channels
Various cassette sizes from 5 min. to 90 min. usable
Built-in indicator for sync to sub-carrier phase
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Studio Editing Recorder/Player with Digital Video and Audio I/O
The BCB D75 has the same features as the BCB 75, however with digital signal interfaces (Video: 4:2:2, Audio: AES/EBU and analog).

The BCB 85 offers all the excellent features of the BCB 75 together with digital audio recording.
In connection with the digital audio processor PCM A85, the BCB 85 provides two digital audio channels in addition to these, the two FM channels and one longitudinal channel of Betacam SP (one longitudinal channel cannot be recorded with digital audio used).

The BCB 85 is fully compatible with all Betacam/Betacam SP machines. All Betacam/Betacam SP tapes can be played back. Tapes recorded by BCB 85 can be replayed on Betacam SP machines except for the digital audio. During transmission, playback is possible in 1 to 2 times normal speed with a resolution of 54 steps. In the shuttle mode, 23 speed steps can be selected.
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(when used with PCM A85 Digital Audio Processor) :

2-channel 16-bit linear PCM audio (DA-l,DA-2)
Switchable sampling rate (44.1 kHz/48 kHz)
Precise lip sync (by use of pre-read heads)
PCM audio insert (independently for DA-1 and DA-2)
Track bouncing (cross-dub), e. g. DA-1 to DA-2
Read before write (sound on sound)
AES/EBU and analog inputs and outputs
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The BCB 50 is a new-design yet fully compatible portable VTR for recording and playback in field conditions. It introduces a new standard of picture quality, adopting the new and improved Betacam SP format.
Audio quality, too, is substantially upgraded. Four audio channels are employed, two FM channels and two conventional longitudinal ones.
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Betacam SP format recorder/player
Long play capability
Low-power consumption, long operating time (3 hrs, 20 min with battery BP-90A)
Built-in TBC
Character generator for insertion of the time code and userbits on the monitor
RS-422 interface for field editing
Frame accurate back space editing
4 audio channels with individual meters
48 V phantom supply for audio CH 1
Search speed +/— 5 times normal with color picture
Forward/rewind speed 16 times normal with recognizable picture
Built-in RF modulator
Lightweight and compact
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The BCB 5 recorder can be docked to the portable CCD cameras LDK 90 and LDK 91 (camera recorder system KCB 591, see page 7).
In conjunction with the VTR adapter BAY 5, the BCB 5 can be also operated as a separate recorder.

The quality-enhanced BCB 5 Betacam SP recorder for metal particle tapes gives wider bandwidth coverage, superior signal component recording, improved signal-to-noise ratio and bettei-than-ever picture quality for playback/editing.
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Betacam SP recordings are compatible with the well-known Betacam format
Video and audio off-tape monitoring
Immediate playback of recorded events in the viewfinder
Lightweight and compact
Four audio channels. Two FM audio channels are added to the normal two longitudinal ones 48 V phantom supply for audio Ch1
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The BCB 22 Betacam SP Player is an economic unit for playback of Betacam and Betacam SP videocas-settes, enabling color reproduction, without time base corrector (TBC). Acceptance of different cassette sizes with oxide and metal particle tapes with four audio channels provide universal viewing/listening possibilities for recorded Betacam material.

Color playback (without TBC)
Usable for large and small cassettes as well as for oxide and metal tapes
4 audio channels
Insertion of CTL, LTC, user bits on the monitor
Built-in RF-modulator
Wired/wireless remote control
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The TCS 2000 is easily the most advanced and complete Cart Machine available today. The included capability for automated recording and complete management of the entire cart inventory allows you to run programs and commercials automatically and unattended for long periods of time.

The Cart Work Station allows the engineering staff to work more efficiently by providing a convenient remote site for recording carts, updating the Cart Machine database and performing many other functions that are usually done at the Cart Machine. The External VTR Controller allows to add material from any format broadcast VTR to the Cart Machine's playlist. The News Control Terminal simplifies playback and control room operations during live news broadcasts by automating VTR loading.

The Data Work Station gives the traffic or news departments a separate work station for making last-minute updates to the Cart Machine's database. The Library Expansion Module puts more carts in the robotic library - a total of 580 cassettes can be on-line and available for play with the addition of only one expansion module.
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Introducing the TCS 90 Cart System, a powerful new automated record/play library management cart machine with the same advanced features of the industry-standard TCS 2000 Cart Machine. The TCS 90 employs the most dependable and easy-to-operate high-level application software ever developed for automated television broadcast, with dozens of features in a system designed to meet the demands of direct-to-air operations.

The TCS 90 functions as an independent system for recording, playback and complete video cart library inventory management or can be used in conjunction with the TCS 2000 Cart Machine for maximum automation of all tape-originated programs and commercials. The TCS 90 handles multiple cassette sizes using standard VTRs in all popular broadcast formats including 1/2" digital, Beta-SP, D2, and the S-VHS and U-matic formats. The library of the TCS 90 can be configured to handle a combination of cassette sizes in various quantities to match the needs of the station.
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The BBE 910 is a powerful easy-to-use editing system. A combination of 4 VTRs like BCB 75/70/65/60 and a floppy disc unit can be controlled simultaneously.

Simultaneous 4 VTR control for A/B roll editing
6 VTRs or 5 VTRs and 1 floppy disc unit can be connected permanently to the editing system
Dual floppy disc unit for 3.5" discs
Edit disc memory for 998 events with battery backup
List management program included
Ripple edit capability (edits possible even with disturbed time code during preroll period) Up to four audio channels can be controlled
10 programmable function keys (macros) with 20 steps each Free assignment of recorder Simplified system initialization NTSC or PAL color framing. Proper edits by either the VTR's detector or an optional plug-in color framing detector
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Bildunterschrift
A machine editing control system BBE 910 with Betacam machines
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The BBE 600 has been designed as a compact cost-effective editing system for easy operation of up to 3 VTRs. With its dual search knobs, simultaneous control of one player and one recorder is possible.

A/B roll editing
3-machine control
Optional video switchers
Audio mixer interface
Split edit
2 GPI ports
2 Search dials
Time code in video
Dynamic motion control function
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The PDC 3000 is a remote controller for VTRs like Betacam, D-2 or similar with powerful cue and variable speed facilities. It is particularly suited to live sports production.

Compact size, installation side by side in 19" compartment, low weight of under 5 kg. Synchronized operation of up to two VTRs with one PDC 3000, interconnection of up to four PDC 3000.

Programmable replay speed by speed preset buttons or manual control (joystick/shuttle knob). Storage of up to ten cue points. Controls NTSC and PAL VTRs via RS-422 interfaces up to 1000m.
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A system designed to meet today's needs for high-quality, instant-access slow motion sequences in extremely time-sensitive environment such as TV broadcasting of sporting events.

As a dedicated slo-mo device, the LSM allows real time or instant-access slow motion replay with virtually zero access time. This unique, high quality, 4:2:2 based RAM recorder allows simultaneous record and variable speed playback. While a VTR will still be recueing, the LSM replay will be already on the air, and still recording.

To enhance your presentation further, a picture library has been integrated into the system. Up to 100 stills can be stored and recalled instantly, while cut or dissolve transitions are generated by the internal digital mixer. Easy to learn and operate, the LSM human interface allows instant reaction and reduces operator training time. The RAM technology combined with a rugged and compact design makes it particularly suitable for OB van installation. Available in CCIR-656, NTSC, PAL &YUV in/out.

Bildunterschrift
3 machine editing control system BBE 600 with component or composite mixer
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The heart of the Prizm Video Workstation is a powerful, full-featured effects machine that delivers unsurpassed image quality and unprecedented price/performance, while creating sophisticated, real-time, three-dimensional manipulations on live or captured images. Prizm's repertoire of effects includes rotations, perspectives, compressions, expansions, cropping, palette functions and mosaics.

An array of advanced curvilinear effects such as warps, bends and elegant page-turns are also standard. This impressive set of features is augmented by an equally stellar selection of options, including a 3D Montage Buffer with decaying trails and shadows, Flying Key, Dual Channel Combiner and Still Store.

True 3D rotations with variable perspectives.
Three independent axes (source, object and global) for advanced manipulation control.
Infinite expansion and compression.
Picture and axes placement in 3D space.
Source cropping from any or all sides.
Full-bandwidth, linear key output for external mixing of manipulated images.
Posterization, solarization, tinting, negative, mosaics, skews, and 8 defocus.
Advanced border generation with independent inside and outside softness control.
Sinusoids to simulate a flying piece of paper.
Sawtooth to simulate fan folds. Bursts to explode image into minute segments.
Slats to create 'Venetian blinds" effect.
Pinnacle's unique flag waves. Still store capability. 3D multi-layering of stills. Decaying trails and sparkles.
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The DVEator option to the Prizm Workstation performs real-time mapping of live video on animated 3D models and surfaces. The DVEator sets a new price/performance standard by using proprietary Pinnacle technology to separate the model and animation creation tasks from the live video mapping task.

The creation of DVEator sequences is accomplished on a Pinnacle Graphics Work-Station system or a PC configured with the DVEator Creation Kit. Once animated shapes and/or surfaces have been created, the live video mapping is accomplished using the D\ Eator Module.

DVEator Advantages
The DVEator offers the following advantages over competitive systems:
Any shape that can be modeled and animated using the Sculptor modeling software can be mapped with live video.
Animated shapes are not limited to a few files or patches, but can be comprised of tens of thousands of polygons, allowing creation of complex shapes and surfaces that metamorphose in real time.

The DVEator pixel switcher allows mapping of two live video sources. This permits creation of page turns with different images on the two sides of the page in a single pass. Painted objects as well as objects mapped with live video can be animated in a single pass. This unique and powerful feature allows creation of metallic three dimensional borders and painted models intersecting with live video surfaces in a single pass. Multiple animated objects having different shapes can be mapped with live video in a single pass. Metamorphosis of one shape into another is possible.

Advanced 3D modeling features can be applied to the animated sequences, including highlights, shading and shadows. The Prizm Workstation is the only product that allows the customer to start with a low cost "bread and butter" effects system and upgrade to DVEator capability; as opposed to purchasing an entirely new system.
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The opposite table gives an overview of the signal converting units which are described in detail on the following pages.

Video
HDTV
Audio

The CD 7 converts analog component signals into digital 4:2:2 component signal.
This equipment is used in the digital TV studio and allows the incoming Y,Pr and Pb or R, G, B signals to be digitized into a parallel digital component signal acc. to CCIR601/656.
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Built-in test pattern generator for colorbars, sawtooth and sweep signal
Analog filters designed ace. to CCIR 601 specification Two separate outputs for the digital component signal, individually switchable to either test pattern or source signal
Separate switch off for Y, Pr, Pb signal
Menu driven operation by four softkeys and LCD display on front panel
Remote-controllable
Built-in self-diagnostics
Serial I/O port for diagnostics
Automatic selection 525 and 625 line standard according to reference sync input
Internal reference sync generator Power-on status selectable
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The DC 7 converts digital 4:2:2 component signals acc. to CCIR 601/656 into analog component signals Y, Pr, Pb and RGB.
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Two separate digital 4:2:2 inputs, alternatively loop-through possibility of one digital input signal
True CCIR filtering of analog component signal
Additional digital oversampling filter to avoid chrominance ringing
Analog R,G,B plus Y,Pr,Pb outputs selectable between EBU/SMPTE and Beta
Generation of standard blanking and sync signal
Selectable sync insertion for Y and R, G, B signal
Menu driven control by four softkeys and LCD display
Remote controllable
Built-in self diagnosis
Automatic selection between 525 and 625 line standard
Internal reference sync generator
Power-on status selectable
Optional cable equalizer for up to 750 feet (250 m) cable length
Optional line store for full screen display of ancillary data test line
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The DAC-410 converts 270 Mbit/s serial video signals to component analog video signals.
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Input: 270 Mbit/s serial video signal
Output: Y, Pr, Pb or R, G, B signal Size: two cards (card cage RF-450 compatible, 3RU high)
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The ADC-410 converts component analog video signals to 270 Mbit/s serial digital video signals.

Input: Y, Pr, Pb or R, G, B & sync Ref: Composite black burst (looping)
Output: Four outputs of Dl serial Size: two cards (card cage RF-450 compatible, 3RU high)
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The DSS-410 converts parallel digital component signals to serial digital component signals. Attaches directly to Dl source machine; no need for multiconductor cabling.

Input: D1 parallel video (4:2:2)
Output: two D1 serial video (270 Mbit/s)
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The DDS-410 converts 270 Mbit/s serial digital component signals directly to parallel digital (4:2:2/CCIR 601) component signals. Attaches directly to Dl destination machine; no need for multiconductor cabling.
Features
Input: Dl serial video
Output: Dl parallel video
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The PC 70 precision PAL filter decoder generates RGB/CAV (Y, Pr, Pb and R-Y, B-Y) out of PAL signals.
Features
Comb filter decoding is achieved by the utilization of wideband delay lines (gain and phase controlled)
Special signal splitting provides line identical luminance and chrominance signals Sophisticated automatic circuitry suppresses remaining subcarrier at critical line transients, furthermore archieves optimum vertical transitions
Separate chrominance output to feed - together with the Y-output -a S-VHS system
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The PC 75 precision PAL decoder with adaptive comb filtering generates RGB and Y, Pr, Pb out of a PAL signal. The comb filtering is achieved by the utilization of wideband delay lines.

Features
Precision decoder with efficient adaptive filter technology Comb filtering by means of wideband delay lines, controlled in gain and phase
Line identical luminance and chrominance outputs 2 CCVS inputs, Y/C input and outputs, 2 CAV outputs Outputs are switchable from front panel to RGB or Y, Pr Pb CAV levels can be switched to R-Y/B-YorY,Pr,Pb Adjustment of luminance, chrominance and set-up on the front panel Operation mode switchable to optimized monitoring or further component processing Built-in test pattern generator 4:2:2 output optional Split mode: decoder and A/D converter can be operated independently from each other Functions are remotely controllable
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The PM 5638 Component Color Coder, SPG is a compact, highly stable encoder and sync pulse generator for professional applications in, for example, television studios, program production, and TV labs. PM 5638 encodes critical signal sources in analog component format, such as for VTRs and cameras.

Features
Encodes analog components to composite video signal (NTSC or PAL)
Stand-alone sync pulse generator (SPG) for timing
RGB and new SMPTE/EBU standards
Easy TTL control, extra functions via rear connection In genlock, only one reference needed
Crash locks to external reference Always correct blackburst output Color field ID selectable
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The DFX-1200 or DFX-1200 P converts 4:2:2 component digital video (D-l format) into 4 fsc NTSC or PAL composite digital video (D-2 format).

Features
4:2:2 component digital video sampled at Y = 13.5 MHz, R-Y/B-V =6.75 MHz is converted into
composite digital video sampled at 14.318 MHz (NTSC)/17.7 MHz (PAL)
Full digital operation for high precision and stability
Y, R-Y and B-V component signals are encoded into the NTSC/PAL digital signals
Two rack units high and 19 inch rack mountable
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The DFX-2100 Format Converter converts 4 fsc NTSC composite digital video (D-2 format) into 4:2:2 component digital video (D-l format).

Features
NTSC composite digital video sampled at 14.318 MHz (4 fsc) is converted into 4:2:2 component digital video sampled at Y = 13.5 MHz, R-Y/B-Y = 6.75 MHz Adaptive filtering is used for the Y/C separation of the NTSC composite signal, which results in wide bandwidth for both luminance and chrominance, thus assuring pictures with minimum signal degradation
Two rack units high and 19 inch rack mountable
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The BCT-350 translator is a plug-in card for the BTS series 350 and alternatively transforms R,G,B signals into component signals or component signals into R,G,B signals.

Features
Standards: 525 lines, 625 lines, HDTV
Genlock for 525 lines and 625 lines
Sync delay adjustable by ± 1.5 jits
Synchronization INT/EXT with blackburst or sync
Sync output level can be switched over between 2V/4V
Sync/TLS can be inserted into channel GAT
Passive cable length equalizer, input level can be switched over to + 3 dB, adjustable by ± 1 dB, - 2.5 dB position for 0.7 Vpp Pr/Pb (100/75 % colorbar) 2 connection units available, optionally 1 output or 4 outputs
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The BAC-3000 Converter provides high-quality interface between analog audio and AES/EBU digital audio standard. It consists of a signal encoder and signal decoder. The encoder section takes two stereo pairs of analog audio and creates two AES/ EBU digital audio bit streams.

Encoding is done with 20-bit resolution using a 128 times oversampling technique that virtually eliminates conversion distortion. Two sampling rates (44.1 kHz and 48 kHz) are selectable to interface to both consumer and professional type equipment.

The decoder section comprises two independent AES/EBU stereo decoders which use 8 times oversampling and 18-bit converters to give the excellent performance in analog audio recovery.

Each decoder can accommodate the full range of possible AES/ EBU signals including 16 to 20-bit decoding, 32 kHz, 44.1 kHz, and 48 kHz sampling rates, and stereo, dual mono, or single channel mono signals.

Features
Combined A7D and D/A audio codec unit
Fully AES/EBU digital audio standard compatible
20-bit resolution with 128 times oversampling
Selectable sampling rates 44.1 kHz and 48 kHz
Internal conversion gain with 20 dB of headroom.
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Before the actual development of our new signal processor was started, the distortions, as they appear in the typical applications for a noise reducer were thoroughly analyzed:

Besides a white noise (i.e. all frequencies contribute equally to the noise) which covers the picture, short-term noise portions of high amplitudes (so-called high-energy noise) are particularly distracting.

Those distortions appear in all conceivable applications for a signal processor but they are given different names: in RF transmissions they are called "glitches", for tape it is "dropouts** and with film scanners we know them as "scratches**.

The median filtering is suited to solve this problem entirely. In turn, also recursive filters are of particular use where the noise is statistical: Grain in film, tape noise or gathered news, taken under bad lighting conditions.

The MNR 9 combines the best of both worlds in one sophisticated design, a three-dimensional median filtering and a newly developed recursive filtering based on our vast know-how of previous systems.
Additionally we have added a synchronizer and a sophisticated contour enhancer to get a real problem solver.
MNR 9 - new area in noise reduction begins.
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The Median Filter
- Three-dimensional "star" structure as the main filtering shape
- the median filter types are selectable
- no motion artefacts Recusive Filter
- suppresses (statistic) white noise
- high degree of reduction
- motion detection
- luminance and chrominance reduction separately
- automatic input noise detection
- fade-to-black detector

Synchronizer
- dual 4:2:2 full bandwidth
- time base correction
- adjustable to studio sync
- control part for audio delay
- split mode for monitoring
- freeze mode

Contour Improvement
- adjustable gain amplitude
- adjustable HA ratio
- adjustable peaking frequency
- individual adjustment for black, gray, white
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The THE-100/BHE-130 Hum Eliminators greatly reduce common mode hum caused by difference in ground potential.
This problem is frequently encountered in installations with long video cables on separate power distribution systems.

Features
For use in color and monochrome systems
Greatly reduces common mode power line hum in video circuits Passive, failure-free Compact
Flat frequency response No differential phase or gain distortion
THE-100: to 10 MHz
BHE-130: to 30 MHz
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The XCC 6016 is a color corrector for component and composite signals with manual and automatic operation.
The component version of this corrector can be used without needing any additional equipment. The XCC 6016 enables correction of component and composite signals at the analog component level. Color correction is an important element in modern component studios. An optional decoder or encoder is used for encoded input or output signals.
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Primary color correction including black-, gamma- and white balance

- Joysticks with sensitivity control
- Automatic color correction for black/white or black/gamma/ white

Secondary color correction (option) including
- Six-sector correction of hue, saturation, luminance
- Chroma control
- Dark desaturation (chroma dark)
- Luminance control of black-, gamma- and white level
- In-picture sector indication
- Selector 0 dB/+ 6 dB correction range

Encoder (option) for PAL, SECAM, NTSC, PAL-M
Decoder (option) for PAL, NTSC, PAL-M
Integrated colorbar generator
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The 350 series is a complete line of video, pulse, and audio distribution products, including a wide range of features and options.

Full-featured, wideband video distribution amplifier.

Some of its outstanding features:
One input into seven outputs
30 MHz bandwidth (with full slew-rate capability)
Back porch clamping (jumper selectable)
Seventh 75-ohm output, plus input test point, on front panel
Front panel gain (and optional equalization) control
Front panel voltage and video presence indicators
Plug-in options for wideband continuously variable cable equalization or delay. The adjustable video delay option offers ranges from 0 to 1235 ns for standard bandwidth video.
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The BCV-350 is a Component Video Distribution Amplifier, using same boards as the BVA-350, but comes equipped with a special CAV rear panel. Designed for distribution of component signals such as R, G, B or R-Y, B-Y, Y. Three BCV-350 units will fit in a RF-350 card cage (page 29).
Features see BVA-350
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The BTS price performance series offer the BVA-3000 Video Distribution Amplifier. It comes in a 5.25-inch card cage RF-3000 and has five outputs.

Some of its outstanding features Wide bandwidth video ( — 3 dB at > 60 MHz.)
Up to 20 DAs per 19-in 3 RU card cage, including power supplies Single or redundant power supplies
Sync tip clamping (jumper selectable)
Equalization for up to 250 ft. (75 meters) of 8281 cable.
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The newest addition to the terminal equipment line is this Video Signal Distribution Amplifier for either standard bandwidth or high-definition television application.

Wideband (60 MHz; -3 dB) performance
For CCVS and Component Signals One looping input to five outputs Tight specifications for signal parameters
Very compact; 20 DA's plus 2 power supplies in one 3 RU card cage.
Includes built-in cable equalization for up to 300m cable lenght of multiple cable types. Jumper selectable backporch clamp or DC restorer.
Delay option up to 1235 ns long for standard bandwidth applications. Delay option up to 100 ns for wideband applications Easy access front panel controls EQ & delay on same card Compatible with sound in sync signals.
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The SDA-450 is designed for simple distribution of serial digital signals. The SDA-450 supports data rates of 400Mbits/sec.

The SDA-450 consists of 3 basic building blocks:
Input buffer and equalizer
Zero-cross detector and signal splitter
Output signal drivers

And features the following:
Meets SMPTE T14.224/EBU 3447E specs for serial digital video
Supports 16 X 9 EDTV and bit reduced HDTV serial digital standard
Compatible with embedded digital audio standards.
One input to 6 outputs (for 75 Q compatible BNC connectors)
Includes automatic cable equalization for up to 0 to 300m of Belden 8281 or equivalent coax cable.
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The SDA-460 is designed for distribution of serial digital signals with a regenerated or reclocked data stream. The SDA-460 supports data rates of 400 Mbits/sec. or greater.

The SDA-460 consists of seven basic building blocks:
Input buffer and equalizer
Data edge detector
Frequency detector
Phase locked loop
Data reclocking
Zero-cross detector and signal splitter
Output signal drivers

And features the following:
Meets SMPTE T14.224/EBU 3447E specs for serial digital video Supports D2-NTSC; D2-PAL; Dl 4:2:2
Supports 16 X 9 EDTV and bit-reduced HDTV serial digital standard
Compatible with embedded digital audio standards
Automatic selection of data type
One input to 6 outputs (for 75 Q compatible BNC connectors)
Includes automatic cable equalization for up to 0 to 300m of Belden 8281 or equivalent coax cable Minimal output jitter ±250psec averaged over one video line and short lockup time (less than one video line).
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Wideband pulse distribution amplifier which includes the following features:

Seven outputs (six on rear panel, one on front)
Front panel pulse and voltage presence indicators
Optional pulse delay /regeneration module
Optional cable equalizer (for up to 300 meters)
Baseline clamp and automatic gain control
Jumper selectable for 2V or 4V output
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The BTS price performance series offers the BAA-3000 Audio D.A. In addition to its excellent specifications, it features the following:
Compact size (20 amplifiers in 19in. 3 RU card cage)
Selectable gain ranges ( + 6, +12 and 24 dB)
Balanced 20 kOhm differential input
6 balanced outputs
Maximum level +24 dB
Low distortion (< 0.005 % THD 20 Hz-20 KHz.)

The newest addition to the BTS family of audio distribution products is the BAA-3001 Audio D.A.

Features
Full instrumentation input stage for improved common-mode rejection.
Selectable audio gain for signal matching
Segmented LED VU meter
Fully floating output drivers automatically adjust to balanced or unbalanced loads.
One audio input. Six audio outputs.

The BAA-3000S is a high-quality six-output stereo audio distribution amplifier. It has been designed for high signal quality performance at a low cost. Surface mount construction methods minimize costs while increasing total density, making possible 10 Stereo DAs in a single 19-inch chassis.

Features
Accepts wide range of audio source
levels
Selectable audio gain for signal
matching
± 6 dB variable stereo audio gain
± 3 dB balance control
One stereo pair in. Six stereo pairs out
Ten DAs per card cage
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The PS-350 is for use with the 350/351 series distribution amplifiers, designed to meet UL and VDE RFI/EMI and safety requirements. These power supplies can also operate in redundant mode for the more critical applications.

PS-350/3 for Video/Pulse DA
Input: 110 V or 220 V
Output: ± 12.5 V; 50 Watts
PS-350/2 for Audio DA
Input: 110 V or 220 V
Output: ± 20.5 V; 50 Watts
Supply up to 9 DA units (in each RF-350 card cage)
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For use with BVA-3000 Video and BAA-3000 Audio Distribution Amplifiers, designed to meet UL and VDE, RFI/EMI requirements. These power supplies also operate in redundant mode for the more critical applications.

PV-3001 for Video DA
Input: 220/110 +10%, -8%
Output: ± 13,5 V dc; 55 Watts
PA-3001 for Audio DA
Input: 220/110 +10%, -8%
Output: ± 21 V dc; 55 Watts
Supply up to 20 DAs in one card cage.
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The RF-350 holds up to nine 1.5-inch-wide 350 series modules, plus required PS-350 power supply (see "PS-350" above). Any combination of DA types can be accommodated. There is no restriction on power supply position and no hand wiring required to add new modules.

19-in. 3 RU card cage for 20 DAs, including two power supplies PV-3001 (Video) or PA-3001 (Audio).
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